Dress

Fashioning Empire in Adelaide. The J. Miller Anderson Wedding Gown of 1881: Fashion, Labour, and Aspiration in Colonial South Australia

Described at the time as ‘the first of its kind produced in these colonies’, the wedding gown examined in this article embodies significance beyond its sartorial form; it constitutes a multi-faceted historical artefact positioned at the nexus of design, commerce, technology, identity and social history. Petrina Killey examines the gown's materiality, background and symbolic resonance within the colonial context.

Designs by Murdoch at the House of Georges

Fashion designer Margaret Murdoch (1912–1999) has been eclipsed by other members of the Murdoch family. In 1938 she went to London to gain experience in fashion design. Her move to the fashion capital of Paris on the eve of World War II led to disruption of her career path, with two stints of internment under the Nazis. Returning to Australia in 1945, Murdoch became fashion designer at Georges department store in Melbourne, wrote regular newspaper columns on women’s fashion and introduced Australian women to contemporary fashion trends in Paris.

J. Miller Anderson & Co, maker, Wedding Gown, front, 1881… Photo © Artlab Australia
Fashioning Empire in Adelaide. The J. Miller Anderson Wedding Gown of 1881: Fashion, Labour, and Aspiration in Colonial South Australia

Fashioning Empire in Adelaide. The J. Miller Anderson Wedding Gown of 1881: Fashion, Labour, and Aspiration in Colonial South Australia

Australiana SocietyAustraliana SocietyAugust 22, 2026
Designs by Murdoch at the House of Georges

Designs by Murdoch at the House of Georges

Australiana SocietyAustraliana SocietyAugust 1, 2022