Australiana, Vol 37 no 3, August 2015

R.B. Smith made his model of the Strasburg Clock to celebrate the centenary of British settlement. It was hailed as a “scientific triumph of Australian workmanship”. At first, Smith exhibited it privately “like a fat woman in a country fair”1 until it found a home in Sydney’s Technological Museum. The clock has been there ever since, a popular and much-loved exhibit although the mechanism has been unreliable. Now, Andrew Montana turns our attention to identifying the subjects and painters of the portraits decorating Sydney’s Centennial Strasburg Clock.

Cricket is in the news with the Ashes being played in England. Sir Donald Bradman (1908–2001) is respected as the world’s best and most famous cricketer, both in Australia and the United Kingdom. His grandfather, Charles Bradman, lived in the small Suffolk village of Withersfield until he emigrated to Australia in 1852 – otherwise “The Don” might have played for England. This account of his family has been compiled from the village records.

In the 19th century, an appropriately draped “chair of state” under a canopy was deployed on formal occasions when the monarch or her vice-regal representative was present. These chairs were conspicuously larger than any surrounding chairs, acknowledging the status of the occupant. Dr La Nauze traces the history of Victoria’s chair of state made c 1859, outlining the role Flint Ramsay & Co played in its genesis, and the ambiguous symbolism of the Southern Cross.

Australiana Society members were privileged to see, touch and experience many and varied treasures on our Tasmanian tour. Here we showcase the welcome and rare opportunities extended to those who participated, and encourage other members to consider creating a future tour showcasing your state or region, offering unique and privileged opportunities to members.

Published as the first of two hardcover volumes (the second will cover the period from 1950 to now), this is Dr Dorothy Erickson’s most ambitious publishing venture. Exploring the work of designers and makers in Western Australia since the founding of the Swan River Colony in 1829 until 1969, it is her most significant contribution to the history of decorative arts and design in Australia.

Over the last 20 years or so interest in convict artist Joseph Lycett (1775–1828) has steadily quickened and heightened in Australian popular culture through the influence of various published works and exhibitions. He is now held in high regard by art and cultural historians.

Hordern House continues their excellent service in the publication of early colonial history by releasing Robert Purdie’s Narrative of the Wreck of HMS Porpoise hot on the heels of Elizabeth Ellis’s book on The Sydney Punchbowl in the Mitchell Library. Here the subject is a first-hand description of the foundering of HMS Porpoise, wrecked on 17 August 1803 together with HMS Cato on the then unchartered Great Barrier Reef, when returning Matthew Flinders to London with his first batch of precious surveying charts.

David Kelly sets out in this book to chart the history of 100 or so master cabinet-makers working in New South Wales up to 1850. His introduction discusses that bland sentence in some detail, meticulously defining those terms and the parameters of his research. Then Kelly outlines the structure of the book, sources and various other points to help the reader; it is both essential and illuminating to read the introduction, as well as amusing to see him struggle to try to set strict guidelines when the data, cantankerously, defies his definitions and conventions.