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Communicating with members is a vital activity of any society. We also aim to share knowledge, mainly through our scholarly magazine Australiana. Another channel of communication is through the internet, which has been used for the last few years by the South Australian Study Group, with its monthly “Show and Tell” bulletins.
Among many contributions to the first "Virtual Show and Tell" was a portrait of a young boy. The owner asked who the artist might be, so the compilers flicked it to me to ask whom we should consult. It turned out to be a fascinating research project, and I want to share the process with readers.
Victorian collector and president of the Victorian branch Robert Stevens distils his passion for the works of convict artists in Australia, many of whom were transported for adapting their skills to forgery. A wide variety of works from public and private collections illustrate the range of their interests.
In 1856, Governor Denison laid the foundation stone for Daniel Cooper's Woollahra House at Point Piper. The stone was designed to hold an engraved copper box containing coins and a medal. This box was re-used for the foundation ceremony of a later Woollahra House in 1883, and unearthed when it was demolished in 1929, together with another box used at the 1816 foundation ceremony for Captain Piper's Henrietta Villa. Peter Lane unravels the history.
On a beautiful summer’s afternoon, 85 members from Brisbane, Melbourne, Sydney, Hobart and northern Tasmania attended the Tasmanian Branch’s 2020 opening event, an ‘At Home’ at Clairville (plate 1) near Evandale, courtesy of the owners, Michael McWilliams and Robert Henley (plates 2-3). The event on 22 February 2020 marked a new beginning for Clairville, a treasure of Australia’s architectural and design heritage whose future has been secured. John Sinclair built Clairville on a 700-acre grant he had received in 1826 for his role in the capture of a member of Matthew Brady’s bushranging gang. About 1860 Sinclair sold the property to Dr Donald Cameron of Fordon, Evandale; Cameron’s elder son Donald inherited Fordon and his younger son Robert was given Clairville.
A few years ago, I read an article in The Australian newspaper saying that future generations are at risk for being the generation that forgot history. As a mother who is an antique dealer with a passion for history, I found this a very upsetting concept. In the new world of social media – Instagram, selfies, Facebook, video, online gaming, YouTube and Snap Chat – I recognised that the article might have a point.
David Bedford has researched the life and work of Tasmanian cabinetmaker Richard Dowling (c 1820/1822–1867), little documented till now. He presents new discoveries about Dowling’s life and suggests why Dowling’s story has been so elusive. Evidence has emerged, and examples of his work found, which show that Dowling, previously known only for parquetry writing slopes bearing his label, also made furniture. Dr Bedford provides technical descriptions of Dowling’s workmanship and identifies most of the timbers that Dowling used. By examining labelled examples, he identifies the characteristics of Dowling’s style, showing how these stylistic characteristics can be used to assess if unlabelled pieces can be credibly attributed to Dowling or not.
