Australiana, Vol 42 no 4, November 2020

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Detailed contents

Tasmanian Magnificence part 2

Australiana, Vol 42 no 4, November 2020
R A Fredman
Page 8

British and Irish emigrant craftsmen working in early colonial New South Wales and Tasmania brought with them the Classical Revival style, with its sweeping curves and carved decoration. This elegant furniture, mostly in cedar, and inspired by the re-discovery of ancient civilisations, has many admirers. Bob Fredman discusses how he re-covered a Tasmanian Classical Revival cedar sofa, and some of the difficult decisions he had to make in the process.

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Furniture

Carl Ewald, ‘Gluepot’ Graetz of Graetztown, South Australia

Australiana, Vol 42 no 4, November 2020
Richard Phillips, David Bedford
Page 18

German settlers in South Australia, notably in the Barossa and to a lesser extent in other parts of Australia, introduced a furniture style based on the rural carpentry traditions of their native lands, rather than the more common styles seen in Australia derived from British cabinetmaking. David Bedford and Richard Phillips review the common use of the term ‘Biedermeier’ to describe this style, and publish some examples attributed to the furniture workshop of the idiosyncratic cabinetmaker Carl Ewald ‘Gluepot’ Graetz (1865–1937) of Keyneton, South Australia.

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MigrationFurniture

William Paul Dowling: artist, artist-photographer and photographer

Australiana, Vol 42 no 4, November 2020
Robert Stevens
Page 28

Dublin-born William Paul Dowling (c 1822–1877) worked in London as a draftsman and artist before his Irish Nationalist political activities led to his being transported to Van Diemen’s Land for sedition. Here, the Irish Catholic convict established a reputation as a portrait artist, gradually adapting to the new technology of photography. For the first time, Robert Stevens combines a look at his life, well documented through the many letters he wrote home, with an analysis of his art and photography, to reveal the story of this talented Irish patriot who made a new life in Tasmania.

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ArtPaintingPhotography

James and Charlotte Cowlishaw’s ‘Golden Wedding’ Napkin Rings, c 1912

Australiana, Vol 42 no 4, November 2020
Dianne Byrne
Page 49

What better way to celebrate a golden wedding than with a golden gift that symbolises affection for the recipients, their intimate connection over 50 years and carries their monograms? Dianne Byrne explores the background to a pair of gold napkin rings presented to James and Charlotte Cowlishaw in Brisbane in 1912. Though marked, so far the marks have eluded us as to their maker.

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Gold

President’s Report

Australiana, Vol 42 no 4, November 2020
Jim Bertouch
Page 57

Thank you for attending the 2020 AGM and it is a pleasure to present, albeit sadly... for me at least... my last report. 40th Anniversary Symposium Well I can say that we really started the year with a bang with the highly successful Australiana Symposium at the State Library in October 2019, which was well supported by our members and included a wide range of speakers and topics.

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